A History of Everyday Things is a pioneering essay by one of the world's leading cultural historians that sheds light on the origins of the consumer society, and thereby the birth of the modern world. Things that we regard as the everyday objects of consumption have not always been so: how, therefore, have people in the modern world become "prisoners of objects," as Rousseau pu...(展开全部)

A History of Everyday Things is a pioneering essay by one of the world's leading cultural historians that sheds light on the origins of the consumer society, and thereby the birth of the modern world. Things that we regard as the everyday objects of consumption have not always been so: how, therefore, have people in the modern world become "prisoners of objects," as Rousseau pu...(展开全部)

A History of Everyday Things is a pioneering essay by one of the world's leading cultural historians that sheds light on the origins of the consumer society, and thereby the birth of the modern world. Things that we regard as the everyday objects of consumption have not always been so: how, therefore, have people in the modern world become "prisoners of objects," as Rousseau pu...(展开全部)

A History of Everyday Things is a pioneering essay by one of the world's leading cultural historians that sheds light on the origins of the consumer society, and thereby the birth of the modern world. Things that we regard as the everyday objects of consumption have not always been so: how, therefore, have people in the modern world become "prisoners of objects," as Rousseau pu...(展开全部)

Handbook of the Colour Print in China 1600-1800 is a ground-breaking volume of collected research into colour woodblock printed imagery produced in early modern China. The emergence and development of colour woodblock imagery occurred first in book illustrations and then in single-sheet prints. Leading scholars of Chinese print culture trace the emergence of a sophisticated and...(展开全部)

著者简介： [美] 斯蒂文·摩尔（Steven Moore） 1951年生，美国著名作家、评论家。从1988年到1996年，他担任《当代小说评论》的执行编辑，几十年来，为华盛顿邮报 等各类报刊撰写各类书评。代表作除本书外，另有一部《世界小说史：1600年以前》。 译者简介： 袁婵 南京大学中文系学士，伦敦大学国王学院英文系硕士，香港大学中文学院哲学博士。现任教于中央戏剧学院，研究方向为中国演剧史、中国现代文学史与比较文学。出版学术专著《凌叔华年谱》（北京：商务印书馆，2025）、《“新闺秀”的旅吟：凌叔华的生平与创作》（香港：中华书局，2020）。

The 17th and 18th centuries saw a 'flowering' of botanical illustration and witnessed the production of some of the greatest books of plant illustration ever produced, including such outstanding examples as the Hortus Eystettensis, the work of Maria Sybilla Merian, Thornton's Temple of Flora, Banks's Florilegium and Sibthorpe's Flora Graeca. During this period several developme...(展开全部)

The seventeenth and eighteenth centuries saw a flowering of botanical illustration and witnessed the production of some of the greatest books of plant illustration ever produced, including such outstanding examples as the Hortus Eystettensis, the work of Maria Sybilla Merian, Thornton's Temple of Flora, Banks's Florilegium and Sibthorpe's Flora Graeca. In this beautiful book, C...(展开全部)

The seventeenth and eighteenth centuries saw a flowering of botanical illustration and witnessed the production of some of the greatest books of plant illustration ever produced, including such outstanding examples as the Hortus Eystettensis, the work of Maria Sybilla Merian, Thornton's Temple of Flora, Banks's Florilegium and Sibthorpe's Flora Graeca. In this beautiful book, C...(展开全部)

The 17th and 18th centuries saw a 'flowering' of botanical illustration and witnessed the production of some of the greatest books of plant illustration ever produced, including such outstanding examples as the Hortus Eystettensis, the work of Maria Sybilla Merian, Thornton's Temple of Flora, Banks's Florilegium and Sibthorpe's Flora Graeca. During this period several developme...(展开全部)